Theorists
Blumler & Katz - The Uses and Gratifications Theory
- The Uses and Gratifications Theory assumes audiences actively seek out media to satisfy individual needs.
The Uses and Gratifications Theory looks to answer three questions:
1. What do people do with the media?
2. What are their underlying motives for using said media?
3. What are the pros and cons of this individual media use?
Why/How do we consume Media?
- Information
- Finding to about relevant events in society and the world
- Seeking advice
- Satisfying curiosity and general interest
- Learning; self-education
- Gaining a sense of security through knowledge
- Personal Identity
- Finding reinforcement for personal values
- Finding models of behaviour
- Identifying with values others
- Gaining insight into others
- Integration and Social Interaction
- Gaining insight into circumstances of others
- Identifying with others and gaining a sense of belonging
- Finding a basis for conversation and social interaction
- Having a substitute for real-life companionship
- Entertainment
- Escapism
- Relaxing
- Filling time
- Emotional release
- Sexual gratification
- Education
- Escapism
Levi Strauss and Binary Opposition
- "Cinema is a set of universal rules, a set relations that could be described as the grammar of film".
- Levi Strauss theorised that since all cultures are produced of the human brain, there must be, beneath the surface, features that are common to all.
- Structuralism attempted to de-romanticise the filmmaker as auteur and apply a more scientific approach to uncover the underlying structures of films.
- Narrative tension is based on opposition or conflict. This can be as simple as two characters fighting, but more often functions at an ideological level.
- Examples:
- Male vs Female
- Black vs White
- Old vs Young
- Rich vs Poor
- Good vs Evil
Vladamir Propp
- He analysed the plot components of Russian folk tales to identify their basic narrative elements.
- He looked at one hundred folk tales and came to the conclusion that they were all made up of 31 plot elements, which he called functions.
- He also found tat spite the large number of characters which appeared in the folk tales, there were only 8 characters types.
- 8 Character types
- The Hero (quest and ends up with princess)
- The Villain (against hero)
- The Helper (helps the hero)
- The Princess or prize (usually the price for the hero, the hero deserves her throughout)
- Her Father (rewards the hero, usually identifies the false hero)
- The Donor (helps the hero)
- The False Hero (takes credit for the hero's actions and tried to end up with the princess)
- The Dispatcher (sets the hero on the quest)
Eg. Shrek
- The Hero - Shrek
- The Villain - Lord Farquard
- The Helper - Donkey
- The Princess or prize - Fiona
- Her Father - Fiona's Dad
- The Donor - Fairytale Characters
- The False Hero - Prince Charming
- The Dispatcher - Lord Farquard
Todorov's Theory
- Tzvetan Todorov proposed a basic structure for all narratives.
- He stated that films and programmes begin with an equilibrium, a calm period.
- Then agents of disruption cause disequilibrium, a period of unsettlement and disquiet.
- This is then followed by a renewed state of peace and harmony for the protagonist and a new equilibrium brings the chaos to an end.
- Equilibrium
- Disruption
- Realisation
- Repair
- New Equilibrium
Shrek
- Equilibrium - Shrek living his normal day-to-day life.
- Disruption - Going to save the princess and obstacles come in the way
- Realisation - They have been sabotaged and she turns into Ogre.
- Repair - Trying to fight away the obstacles, he doest care she's an Ogre.
- New Equilibrium - Living happily with the Princess
Rick Altman argues that genre offers audiences a set of pleasures:
Emotional Pleasures - how does the text make you feel? happy, sad, nostalgic?
Visceral Pleasures - gut responses, excitement, fear, laughter
Intellectual Pleasures - does it make the audience think?
Barthes - Action and Enigma Codes
- Action Codes - what will happen next...
- Enigma Codes - The audience question why... leaves them wondering
The Reception Theory




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